A fish-out-of-water in a small town finds herself in a dangerous waters when an affair leads to a deadly event.
synopsis
A young woman returns home to the family farm after being estranged for more than a decade. Charged with the task of aiding her Alzheimer's afflicted dying mother, Amber's good intentions are thwarted by disillusionment. Evading failed dreams of the Hollywood limelight she yearns for a simple family lifestyle.
Amber can't shake the bad behavior that landed her in the tough spot she so abruptly fled. The small town rumor mill dredges up painful scars a' la #metoo. This homecoming is destined for a wild upheaval.
A fiery affair unfolds between the newcomer and a local married man. Lust and obsession engulf the pair. Secrets can't stay silent forever.
When a horrible accident occurs, Bill bullies his lover into bonding in a cover-up. Amber must find the strength to rise up, put the needs of others before herself and become a real hero.
LOOK AND TONE
Ugly Pretty is a homecoming tale turned crime thriller. Young Adult turns into Fatal Attraction taking place in a town like Three Billboards. Slow paced and quiet, small town Pennsylvania is predictable. The script is filled with localisms that will transport the audience to this "Dutch Country" world. The pacing amps up as we move forward unraveling the dark pasts and the complex emotions of the characters. The third act hits like a freight train. Nothing happens in a small town... until it does.
Lindsay Shaw - Leading Lady “Amber”
Writer's statement
Growing up in small town Pennsylvania is an amalgam of bucolic countryside with it's wholesome farmers, encroaching countryside, and healthy flavor of hillbilly. A city girl returns to her roots and struggles to not only fit in but to reinvent herself. The Pacing of the film escalates as time passes and our protagonist sets herself up for a hurricane in ACT III.
My aim is for the audience to find empathy for this scarred heroine. The more expected role of a sexually driven character has been flipped from male to female. The choices we make as humans come from complex thoughts, feelings, and past experience. Here we have a character that sees herself in a righteous light where the social norm would be to call her a home-wrecker.
I want to push the audience’s comfort level, daring them to live out their fantasies through voyeurism. UGLY PRETTY feels nostalgic and self-reflecting while simultaneously building tension to the point of eruption
marketing
Audiences are hungry for female driven content as seen in the success of WONDER WOMAN, BLACK SWAN, and THE KIDS ARE ALRIGHT, and BLUE JASMIN.
Our target audience goes to see both indie thrillers and 30s coming-of-age films. The audience for indie thrillers with respect to 18+ content in both male and female demographics are ages 18-50. Indie thrillers like LOOPER and BABY DRIVER grossed 177MM and 175MM respectively. Gen X disillusionment/Coming of age films have notoriously been very well received in festivals like Sundance and Toronto Film Fest, for example YOUNG ADULT, LOST IN TRANSLATION, and GARDEN STATE.
Female directed films of note include WONDER WOMAN, LADY BIRD, HURT LOCKER, THE TWILIGHT SERIES, MAMA MIA, WE NEED TO TALK ABOUT KEVIN, and MUDBOUND. The producer of Ugly Pretty aims to join the collective of successful female directed films.
For complete Pitch Deck and Budget, questions, script, or to make an investment offer please contact:
Ms Hollis Sherman-Pepe / Producer
Email: farmersdaughterpro@gmail.com
IMDB: http://imdb.me/hollisshermanpepe